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Relevant bibliographies by topics / Theater|Theater History

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Dissertations / Theses
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Academic literature on the topic 'Theater|Theater History'

Author: Grafiati

Published: 9 July 2021

Last updated: 12 February 2022

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Journal articles on the topic "Theater|Theater History"

1

Rogoff, Gordon. "Strange Eventful History." Theater 50, no. 1 (February 1, 2020): 13–29. http://dx.doi.org/10.1215/01610775-8123840.

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Theater magazine founding editor Gordon Rogoff puts the history of the American theater over the last five decades under a critical retrospective lens, examining how shifting political, social, and economic conditions have shaped theater as both industry and art form. Rogoff ’s essay mixes memory with polemic and humor with outrage while attempting to untangle the threads of high art and big business that have held up and ensnared the art of theater across the last half century.

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Buldakov, Vladimir. "Revolution and theater, revolution as theater." Rossiiskaia istoriia, no. 4 (2021): 214. http://dx.doi.org/10.31857/s086956870016235-9.

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Lutenbacher, Cindy. "THEATER IN Milwaukee: THEATER X's A HISTORY OF SEXUALITY." Theater 20, no. 2 (1989): 85–90. http://dx.doi.org/10.1215/01610775-20-2-85.

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Gomery, Douglas. "Theater Television: A History." SMPTE Journal 98, no. 2 (February 1989): 120–23. http://dx.doi.org/10.5594/j02826.

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Field, Thalia. "Experimental Theater Is History!" Theater 29, no. 2 (1999): 34–44. http://dx.doi.org/10.1215/01610775-29-2-34.

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G.M.D. "Spanish Theater." Americas 42, no. 4 (April 1986): 499. http://dx.doi.org/10.1017/s0003161500052287.

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Fokin, Aleksandr. "Ilya Surguchev's theater in the history of Russian foreign theater." KANT Social Sciences & Humanities, no. 3 (July 2020): 40–51. http://dx.doi.org/10.24923/2305-8757.2020-3.5.

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Drama is defined as the main phenomenon of Ilya Surguchev's creative biography. ON this basis, the main chronology of his life and work during the period of emigration is presented. Biographical and historical-functional methods of literary research are used. The plays of the 1910s and 1940s, their themes and problems are characterized. An overview of the main premiere performances based on Surguchev's plays in theaters in Russia and Europe is presented. Questions of I.D. Surguchev's poetics of drama are raised; the prevailing genres, plots, themes, and stylistic dominants are highlighted. The role of Surguchev in the history of the theater of the Russian abroad is determined.

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Collier, Susanne. "Operating Theater." Renaissance Quarterly 53, no. 2 (2000): 529–41. http://dx.doi.org/10.2307/2901878.

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K.J.G. "Latin American Theater." Americas 48, no. 3 (January 1992): 407–8. http://dx.doi.org/10.1017/s0003161500018010.

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Sibul, Karin. "Glimpses Into the History of Interlingual Simultaneous Theater Interpreting in Estonia." Journal of Audiovisual Translation 3, no. 2 (December 21, 2020): 170–85. http://dx.doi.org/10.47476/jat.v3i2.2020.121.

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This paper examines the practice of simultaneous interpretation of theater performances, in particular between Estonian and Russian, in Estonia over 70 years. This type of interpreting has not received much scholarly attention; rather, studies have mostly focused on the sign language interpretation of theater performances for the deaf community. I conducted interdisciplinary historical research relying on the oral history method to help preserve the fast-disappearing oral heritage of theater interpreting. This paper distinguishes between two periods in theater interpreting in Estonia, as determined by two drastically different sociopolitical periods in Estonia’s history. Drawing upon a total of 88 interviews with interpreters, people who recruited interpreters, and audience members, I identified and interviewed a total of 15 theater interpreters. I also analysed newspaper articles and performance schedules, which usually yielded single-word mentions of interpretation having taken place. This paper examines answers to the questions of who interpreted what, how, and when, and reaches the conclusion that theater interpreting can be a tool to bridge a gap between two communities as well as to facilitate integration in the same cultural space.

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Dissertations / Theses on the topic "Theater|Theater History"

1

Cooperman, Robert Russell. "Nisei Theater: history, context, and perspective /." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487933648648913.

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Crawley, James J. "The history of the Wichita Community Theater." Thesis, Wichita State University, 2009. http://hdl.handle.net/10057/2516.

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When the members of the First Unitarian Church in Wichita Kansas met in the autumn evening of 1946 to set up a performance group, they had no idea that they were starting an organization that would change the landscape of performance arts in Wichita Kansas. The Unitarian Experimental Theater expanded out of its small confines of the basement of the church to the University of Wichita's 1,200 seat theater, helping to develop the University's theater program and bring even more attention to live theater in Wichita. With the establishment of the Century II civic center to celebrate the centennial of Wichita's founding, the Wichita Community Theater moved into the Little Theater, promoting its live shows with guest stars featuring the likes of Helen Hayes, Maurice Evans and many others from television and movies. These shows along with the purchase of a new property, the old Temple Emanu-El Synagogue in the College Hill area, increased the reach of the Wichita Community Theater to include classes, meetings and smaller more intimate productions. The history of the Wichita Community Theater is full of successes, including the year in review show, Commedia, donations to the Wichita Public library and scholarships for high school student. The theater has also had its controversies, including the ousting of Mary Jane Teall, the picketing of the College Hill property by religious groups and being on the brink of extinction with bankruptcy. With all of these events, the theater kept producing quality shows. While the actors, directors and designers all strived to create perfection on each individual show, these dedicated volunteers kept much more than the production alive. These men, women and children kept the core spirit of this organization alive keeping the theater running. Although highlighting the history of the Wichita Community Theater, this history focuses more on the volunteers and the sacrifices that were made to keep the organization alive and well. The Wichita Community Theater is still alive and well and producing shows in the city of Wichita to this day. The theater is full of stories, individual tales of comedy and tragedy and events that made each specific story unique. These stories are forever ingrained in the individuals involved and even though only a few of them are highlighted in this paper, while others are not documented. Their efforts reflected in these stories, and many future ones that will keep the spirit of the organization alive for years to come.
Thesis (M.A.) -- Wichita State University, College of Liberal Arts and Sciences, Dept. of History

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Schneider, Ulrich Johannes. "Theater in den Innenräumen des Denkens." Universitätsbibliothek Leipzig, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-149076.

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Gegen die Unumgänglichkeit des philosophiehistorischen Wissens sich zu stellen, haben verschiedene Denker unternommen, andere wollen die Umgangsformen der Philosophiegeschichte reformieren und neue Modelle des (historischen) Umgangs einführen. Gilles Deleuze nun scheint beides zu versuchen, indem er dem philosophiehistorischen Wissen als Philosoph jede Evidenz bestreitet und es zugleich als Philosophiehistoriker in einer neuen Umgangsweise aufhebt. Seine Philosophie ist offenbar verträglich mit einer Rede über andere Philosophien, ja scheint sie sogar zu fördern, wenn man so die Tatsache interpretieren will, daß Ddeuze eine ganze Reihe von Büchern zu einzelnen Denkern veröffentlicht hat. Wie diese Beziehung von Philosophie und Philosophiegeschichte bei ihm aussieht, ist bisher nicht untersucht. Zum paradoxen Unterfangen von Gilles Deleuze, Philosophiegeschichte zu treiben und sie zugleich zu unterlaufen, die folgenden Überlegungen, deren vorläufiger Charakter daran zu erkennen ist, daß sie sich an verstreuten expliziten Äußerungen orientieren.

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Garcia, Javier A. "Re-remembering the Royal Theater: Public History, Place, and Urban History." Master's thesis, Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/148542.

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History
M.A.
The Royal Theater was a public space which happened to be located in the path of the proposed Crosstown Expressway. From preliminary research, including interviews, it is clear the community feared displacement. During the early twentieth-century, before the invention of television, the theater existed as a place of entertainment for the entire community. Children as well as adults attended the theater as a form of escapism and during the days of segregation, The Royal Theater provided an entertainment space for African Americans which could not be found at White theaters. This thesis will attempt to explore what role The Royal Theater, a significant public space in the heart of this community, played in the tumultuous time of the proposed Crosstown Expressway.
Temple University--Theses

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Kahoa, Erin. "From Fact to FarceThe Reality Behind Bulgakov's Black Snow." University of Akron / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=akron1447719301.

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Lasik, Franklin James. "Documentary theatre: dramatizing history and historicizing dram." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407236436.

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Jakes, Dhruti Paleja. "The theater as an instrument of memory." Thesis, Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/23207.

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Ro, Sung-Woo. "Space machine : the evolution of theater and its development." Thesis, Georgia Institute of Technology, 1988. http://hdl.handle.net/1853/21751.

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Henne, Meredith Margaret. ""Miraculously Saved": Richmond and the 1811 Theater Fire." W&M ScholarWorks, 2007. https://scholarworks.wm.edu/etd/1539626537.

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Karr, Kasi. "Indoctrinated Spheres: Intergenerational Education and Gender Constructs in Githa Sowerbys Rutherford and Son." Kent State University Honors College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1450101317.

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Books on the topic "Theater|Theater History"

1

Gronemeyer, Andrea. Theater. Hauppauge, N.Y: Barron's, 1996.

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DDR-Theater, Theater in der DDR. Roma: Istituto italiano di studi germanici, 2010.

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Rähesoo, Jaak. Estonian theater. [Tallinn]: Estonian Theater Union, 1999.

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Kultūros, filosofijos ir meno institutas. Lithuanian theater. Vilnius: Culture, Philosophy and Arts Research Institute, 2009.

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Shakespeare's theater. Chicago: Heinemann Library, 2000.

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Dukore, Bernard Frank. Shaw's theater. Gainesville: University Press of Florida, 2000.

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Lehmann, Hans-Thies. Postdramatisches Theater. Frankfurt am Main: Verlag der Autoren, 1999.

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Raimund Theater. Wien: Jugend und Volk, 1985.

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9

Morley, Jacqueline. Shakespeare's theater. New York: P. Bedrick Books, 1994.

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Edwin, Wilson. Living theater: A history. 2nd ed. New York: McGraw-Hill, 1994.

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Book chapters on the topic "Theater|Theater History"

1

Schmeling, Manfred. "3. “Theater in the Theater” and “Word Theater”." In Comparative History of Literatures in European Languages, 35. Amsterdam: John Benjamins Publishing Company, 1993. http://dx.doi.org/10.1075/chlel.ix.05sch.

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2

Cypess, Sandra M. "The Theater." In Comparative History of Literatures in European Languages, 239–61. Amsterdam: John Benjamins Publishing Company, 1994. http://dx.doi.org/10.1075/chlel.x.19cyp.

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Hučín, Ondřej. "Czech Theater." In Comparative History of Literatures in European Languages, 154. Amsterdam: John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/chlel.xxii.28huc.

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Steinlauf, Michael. "Yiddish Theater." In Comparative History of Literatures in European Languages, 205. Amsterdam: John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/chlel.xxii.47ste.

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Imre, Zoltán. "Building a(s) Theater." In Comparative History of Literatures in European Languages, 149. Amsterdam: John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/chlel.xxii.26imr.

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Hučín, Ondřej. "Modernist Inroads into Czech Theater." In Comparative History of Literatures in European Languages, 178. Amsterdam: John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/chlel.xxii.39huc.

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Prati, D., G. Predari, A. Massafra, and B. Salmi. "A reinforced concrete stage tower within a 18th-century masonry theater: The Municipal Theater of Bologna." In History of Construction Cultures, 726–33. London: CRC Press, 2021. http://dx.doi.org/10.1201/9781003173359-95.

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Gillespie, Gerald. "Romantic Irony in Modern Anti-Theater." In Comparative History of Literatures in European Languages, 343. Budapest: Akadémiai Kiadó, 1988. http://dx.doi.org/10.1075/chlel.viii.24gil.

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Popescu, Marian. "Theater Speaks Many Languages in Romania." In Comparative History of Literatures in European Languages, 166. Amsterdam: John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/chlel.xxii.33pop.

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Popescu, Marian. "Communism and After in Romanian Theater." In Comparative History of Literatures in European Languages, 227. Amsterdam: John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/chlel.xxii.56pop.

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Conference papers on the topic "Theater|Theater History"

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Semenov, Igor Vitalievich. "Saratov - theater city." In V International Research-to-practice conference for pupils, chair Vera Alekseevna Pishkova. TSNS Interaktiv Plus, 2019. http://dx.doi.org/10.21661/r-486321.

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The article covers the history of the development of theatrical art in Saratov: from its origins to the present. The theaters of Saratov are listed, prominent theatrical figures are mentioned. Attention is drawn to the fact that the year 2019 is declared the Year of the Theater in Russia.

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Vellington, A. T. "The modern theater. Experiments on form and content." In Scientific Trends: Philology, Culturology, Art history. LJournal, 2019. http://dx.doi.org/10.18411/spc-26-03-2019-09.

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Sarkisian, M., N. Mathias, J. Keileh, and J. Zhang. "Resurrecting History: Renovating the Strand Theater in San Francisco." In AEI 2017. Reston, VA: American Society of Civil Engineers, 2017. http://dx.doi.org/10.1061/9780784480502.056.

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Krylovskaya, Izabella Ilinichna. "Orchestra of the Khabarovsk Territory Musical Theater as a part of the theater history development in the Far East of Russia." In X International Research-to-practice conference. TSNS Interaktiv Plus, 2017. http://dx.doi.org/10.21661/r-129868.

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Bol'shakov, YA O. "Pre-revolutionary theater life in the Vologda province: coverage in the press." In Scientific dialogue: Questions of philosophy, sociology, history, political science. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-01-02-2020-04.

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Majdanova, M. N. "On the problem of the stage implementation of content in the Russian director's theater beginning of XX century." In Scientific Trends: Philology, Culturology, Art history. LJournal, 2019. http://dx.doi.org/10.18411/spc-26-03-2019-11.

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Zheng, Ying. "Collision of History with Reality: the Tendency of Adaptation of Shakespeare Plays in the Contemporary Russian Experimental Theater." In Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.64.

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Cailliez, Matthieu. "Europäische Rezeption der Berliner Hofoper und Hofkapelle von 1842 bis 1849." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.50.

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The subject of this contribution is the European reception of the Berlin Royal Opera House and Orchestra from 1842 to 1849 based on German, French, Italian, English, Spanish, Belgian and Dutch music journals. The institution of regular symphony concerts, a tradition continuing to the present, was initiated in 1842. Giacomo Meyerbeer and Felix Mendelssohn Bartholdy were hired as general music directors respectively conductors for the symphony concerts in the same year. The death of the conductor Otto Nicolai on 11th May 1849, two months after the premiere of his opera Die lustigen Weiber von Windsor, coincides with the end of the analysed period, especially since the revolutions of 1848 in Europe represent a turning point in the history of the continent. The lively music activities of these three conductors and composers are carefully studied, as well as the guest performances of foreign virtuosos and singers, and the differences between the Berliner Hofoper and the Königstädtisches Theater.

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Reports on the topic "Theater|Theater History"

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Mahnken, Thomas G. Commander-In-Chief Theater Missile Defense Assessment Program. Program History and Exercise Findings, 1989 - 1994. Fort Belvoir, VA: Defense Technical Information Center, August 1995. http://dx.doi.org/10.21236/ada302248.

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Prysyazhnyi, Mykhaylo. UNIQUE, BUT UNCOMPLETED PROJECTS (FROM HISTORY OF THE UKRAINIAN EMIGRANT PRESS). Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11093.

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In the article investigational three magazines which went out after Second World war in Germany and Austria in the environment of the Ukrainian emigrants, is «Theater» (edition of association of artists of the Ukrainian stage), «Student flag» (a magazine of the Ukrainian academic young people is in Austria), «Young friends» (a plastoviy magazine is for senior children and youth). The thematic structure of magazines, which is inferior the association of different on age, is considered, by vital experience and professional orientation of people in the conditions of the forced emigration, paid regard to graphic registration of magazines, which, without regard to absence of the proper publisher-polydiene bases, marked structuralness and expressiveness. A repertoire of periodicals of Ukrainian migration is in the American, English and French areas of occupation of Germany and Austria after Second world war, which consists of 200 names, strikes the tipologichnoy vseokhopnistyu and testifies to the high intellectual level of the moved persons, desire of yaknaynovishe, to realize the considerable potential in new terms with hope on transference of the purchased experience to Ukraine. On ruins of Europe for two-three years the network of the press, which could be proud of the European state is separately taken, is created. Different was a period of their appearance: from odnogo-dvokh there are to a few hundred numbers, that it is related to intensive migration of Ukrainians to the USA, Canada, countries of South America, Australia. But indisputable is a fact of forming of conceptions of newspapers and magazines, which it follows to study, doslidzhuvati and adjust them to present Ukrainian realities. Here not superfluous will be an example of a few editions on the thematic range of which the names – «Plastun» specify, «Skob», «Mali druzi», «Sonechko», «Yunackiy shliah», «Iyzhak», «Lys Mykyta» (satire, humour), «Literaturna gazeta», «Ukraina і svit», «Ridne slovo», «Hrystyianskyi shliah», «Golos derzhavnyka», «Ukrainskyi samostiynyk», «Gart», «Zmag» (sport), «Litopys politviaznia», «Ukrains’ka shkola», «Torgivlia i promysel», «Gospodars’ko-kooperatyvne zhyttia», «Ukrainskyi gospodar», «Ukrainskyi esperantist», «Radiotehnik», «Politviazen’», «Ukrainskyi selianyn» Considering three riznovektorni magazines «Teatr» (edition of Association Mistciv the Ukrainian Stage), «Studentskyi prapor» (a magazine of the Ukrainian academic young people is in Austria), «Yuni druzi» (a plastoviy magazine is for senior children and youth) assert that maintenance all three magazines directed on creation of different on age and by the professional orientation of national associations for achievement of the unique purpose – cherishing and maintainance of environments of ukrainstva, identity, in the conditions of strange land. Without regard to unfavorable publisher-polydiene possibilities, absence of financial support and proper encouragement, release, followed the intensive necessity of concentration of efforts for achievement of primary purpose – receipt and re-erecting of the Ukrainian State.

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